AQA Conflict Cluster Poems | How Do I Approach Them?

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Poetry is often a daunting subject for many prospective GCSE students. Often the idea that there are multiple interpretations of a text can confuse those who are approaching a certain cluster of poems for the first time. If you are beginning to study, or are revising the popular conflict cluster of poems in the AQA Anthology Moon on the Tides, then this is a guide to help you focus on the kind of thoughts and questions that will apply to many of the poems in this cluster.

DIFFERENT TYPES OF CONFLICT

Firstly, what you should be aware of is that ‘conflict’ can be interpreted in many ways. The collection of poems in this cluster showcase the many types of conflict a person can encounter. So it is important to keep an open mind when trying to understand what types of conflict the poem might be addressing; not just simply ‘war’.

Different types of conflict you may encounter are: terrorism, civil war, political differences, occupations, tension between ethnic groups or personal struggles (either mental or physical) with an idea, person or even their conscience.

Some poems focus on a narrow point of view, possible the inner thoughts of a persona or they could shed light on the aftermath of conflict and its consequences.

CONSIDER THE FOLLOWING FOR THE POEMS

When studying the poems in this cluster, try to get into the habit of asking yourself these questions to help you ‘unlock’ the main ideas it is trying to convey:

  • What kind of conflict does this poem FOCUS on?
    Is it set during a conflict or is it the aftermath of the conflict? Who does the conflict AFFECT? Does it feature on a certain war? If so, what is it trying to highlight?
  • From what PERSPECTIVE is it written?
    This could be first (I), second (you) or third person (they). Is there a persona (written from a character’s point of view)? If so are they a participant, observer or a victim? How does this affect the reader? What time is it set in? Past, present or future? Has this been done for a reason?
  • How does the poem EXPLORE CONFLICT?
    What does the poem tell/ suggest about conflict? How does the poet do this with his language choices, structural features (layout/ organisation of text and ideas)?
  • WHY has the poet written this poem?
    What is the overall attitude/ feelings of the poet/ persona? What is the mood of the piece? How could the atmosphere reflect this?
  • How has the poet COMMUNICATED their ideas?
    Look at language choice, literary devices and their placement in the poem – could these help to communicate the poets central ideas?

GCSE Poetry Revision | ‘August 6, 1945’ by Alison Fell

‘What have we done?’ – written by the co-pilot of the Enola Gay in his diary, as he witnessed the mushroom cloud of the atomic bomb spreading over Hiroshima.

August 6, 1945

In the Enola Gay
five minutes before impact
he whistles a dry tune

Later he will say
that the whole blooming sky
went up like an apricot ice.
Later he will laugh and tremble
at such a surrender, for the eye
of his belly saw Marilyn’s skirts
fly over her head for ever

On the river bank,
bees drizzle over
hot white rhododendrons

Later she will walk
the dust, a scarlet girl
with her whole stripped skin
at her heel, stuck like an old
shoe sole or mermaid’s tail

Later she will lie down
in the flecked black ash
where the people are become
as lizards or salamanders
and, blinded, she will complain
Mother you are late. So late

Later in dreams he will look
down shrieking and see

ladybirds
ladybirds

By Alison Fell

CONTEXT: The title of the poem indicates the date America dropped the first atomic bomb on Hiroshima. This unprecedented move by America is said by some to have ended WW2, however the poem itself explores the guilty conscience of those involved in the bombings and refers throughout to time passing, as each stanza begins with the word ‘later’. The poem is written from a retrospective point of view, yet begins moments before the bomb is dropped, when the world was still oblivious to the idea of atomic warfare.

‘Enola Gay’ is the name of the  Boeing B-29 Superfortress plane carrying the atomic bomb ‘Little Boy‘, and was named by pilot Colonel Paul Tibbets after his mother. The bomb was uranium-based and was untested during the Manhattan Project, unlike the second bomb (‘Fat Man‘) that was plutonium-based, and was dropped on Nagasaki three days after the Hiroshima bombing.

In the poem, Fell explores two aspects of the bombing; the aerial view of the pilots as they watched the event from the plane and their subsequent feelings of detachment, and also the suffering of the victims on the ground from the radioactive fallout.

Fell uses vivid imagery to show the three deadly stages of the bombing. The first is the ‘blast’ which produced the mushroom cloud. This is curiously compared to the iconic image of Marilyn Monroe in her white dress as it gets ‘blasted’ by the air from the subway grating.

The second stage is the fire storm and the  ‘black rain’ that occurred after the blast. The fire storm is shown through the ‘the scarlet girl’, whose skin has been stripped off from the heat of the bomb. The black rain is compared to bees ‘raining’ over white flowers, which symbolises the white-hot heat of the fire as it burns the people at ground-zero.

The third stage is the radioactive fallout, which is again shown through the girl whose body is being consumed by the cancerous radiation as she lies down in defeat. Other victims are also hinted at, and compared to ‘lizards’ and ‘salamanders’, who are well-known for shedding their skin. In ancient times salamanders were believed to be immune to fire, but this is false. Fell uses this image in an ironic way, as none of the victims survived the blast. In fact, photos taken by American pilots before and after the attack show a Hiroshima that was quite literally ‘wiped off’ the map.

Photos of Hiroshima taken before and after the bombing.

Photos of Hiroshima taken before and after the bombing.

The final stanza refers to a popular nursery rhyme called ‘Ladybird, Ladybird, fly away home‘. The rhyme contains the lines:  ‘your house is on fire and your children are gone’, which links with Hiroshima being on fire and how all the children are dead or gone. The rhyme also refers to a girl called Ann, who survives by hiding under a baking pan. This could be linked to the girl in the poem whose skin has fallen off and is barely alive.

TONE/ MOOD: The poem is written in a conversational tone with lines like ‘the whole blooming sky’ where the word ‘blooming’ could be to swear or curse in colloquial language (slang). There is as sense of irony throughout the poem, as Fell uses inappropriate imagery to compare to the horrors of war. The mushroom cloud resembles Marilyn Monroe’s skirts and the fire from the bomb is compared to ‘apricot ice’. The poet is constantly challenging our view of the events with such images and this gives the poem a tone of absurdity. The realities of war are caricatured, or made smaller, which mirrors how mankind cannot cope with the scale of the atrocity and seeks to ‘shrink’ the consequences down to a manageable size. In the last stanza, this is represented by how the burning humans take on the shape of ladybirds in the dreams of the pilot.

RHYME/ RHYTHM: The poem has no regular rhyme or rhythm. This irregularity matches the feeling of confusion created in the poem.

KEY IMAGERY/ IDEAS:
* The ‘Enola Gay‘ – There is a constant reference to female figures. The plane ‘Enola Gay’ is named after the pilot’s mother and carries not only her offspring (the pilot himself) but also the bomb ‘Little Boy’, the brain-child of America. The plane symbolises America itself, which as a country is referred to as ‘the motherland’. She leads her brave sons to make history and conquer Japan. The dropping of the bomb signifies her ‘giving birth’ to a new and terrible age of warfare, where the ‘sons’ of one country annihilate the ‘sons’ of another.

Marilyn Monroe – The burst of the bomb is compared to the iconic figure of Marilyn Monroe with her flying skirts. This is sexually charged imagery, where motherland America is seen to stand astride Japan in a victory pose that is both a mockery and a taunt. It is a provocative pose, and the pilot gets aroused by the explosion the same way he would if looking at this picture of the sex icon. It promotes a boosted sense of virility for America as the ‘doer’ and ‘winner’; which is in total odds with Japan, whose population suffered from years of radiation exposure which caused sterility.

We could also argue that Monroe’s skirts that ‘fly over her head forever’, could signify a turning point for America and the world, where things will never be the same again. It also paints the image of a woman forever violated; of a woman who is perhaps so ashamed of what has happened, that she is ‘hiding’ her face from the very event she has given birth to.

the ‘Scarlet girl’ – The word ‘scarlet’ suggests a girl who is perhaps sexually promiscuous, which links to the image of Marilyn Monroe and sexual violation. Her skin hangs off her body in the same way that Monroe shows her skin in the provocative photo. The plane can also be connected to this idea as the name ‘Enola Gay’ is written over its body like a tattoo.

* Lizards/ Salamanders – The victims are compared to lizards and salamanders which is not only belittling, but also draws further ties with the shedding of skin, which these creatures are known to do. Salamanders were once believed to be immune to fire, however this is not true. It is ironic that Fell should use this imagery, as the victims had no protection against the catastrophe that befell them.

*Colours – These are used frequently in the poem. The most common are black, red, orange and white; colours that are associated with death, danger, surrender and war. The white is mentioned when Monroe’s skirts ‘surrender’ to the bombing; the red to the girl whose skin strips away to reveal raw muscle underneath (danger, blood, desire); the black to the ash that represents death shrouding the city and the orange to the ‘apricot ice’  fire storm that rages after the mushroom cloud.